Kristy Puchko is a film critic/movie blogger who has written for Cinema Blend, Next Movie, Jezebel, The Film Stage, and Critical Mob. You can read her movie reviews here, or follow her on Twitter @KristyPuchko
Often felt in the hormone-fueled heydays of youth, first love can be a frenzy of overwhelming passion and dizzying lust. So of course it's a sensational jumping off point for drama. Add in a dash of deep parental disapproval, and you've got the stuff of Shakespeare. Sadly, while the new movie 'Endless Love' has the premise for great romantic drama, it lacks the conviction and execution, coming up boring where it should be bold.
Based on the bestselling YA book series, 'Vampire Academy' seemed a promising movie adaptation. Combining the cutthroat world of high school with the bloodlust of vampire fiction, it had an enticing starting point. Adding to its allure were a writer and director who have defined the modern teen queen movie, Daniel Waters, the screenwriter of 'Heathers,' and Mark Waters, the director of 'Mean Girls.' So how did the 'Vampire Academy' turn out so lifeless?
Beautiful. I scribbled this word in my notebook seven times as I watched Disney's latest princess adventure, 'Frozen.' Lots of other compliments can and will be paid to this profoundly wonderful film, but it is, above everything else, spectacularly beautiful.
In 2012, 'The Hunger Games' was not only critically acclaimed; it was also the third highest grossing blockbuster of the year, coming in behind 'The Avengers' and 'The Dark Knight Rises.' This meant Francis Lawrence, who took over directing duties for the film series after Gary Ross bowed out, has an incredibly high bar to meet with the adaptation of Suzanne Collins' second novel in her trilogy, 'The Hunger Games: Catching Fire.' We're elated to report that he's created a sequel that is bigger, bolder and all around better than its solid predecessor, helped in part by an extraordinary cast and a lusher budget.
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